Like many people, I was having breakfast this morning when the news that David Bowie had died flashed up as breaking news on the different digital devices dotted around the flat. I couldn't believe it. How could it happen now? It was only last Tuesday that I'd heard John Wilson talking about the new Bowie album Blackstar on BBC Radio's Front Row. At the time I'd made a mental note to listen to the album when it was released on Friday 8th January to coincide with the singer's 69th birthday. Then, after I'd listened to it, I remember thinking that it needed a closer listen. So early on Saturday morning I lay in bed with headphones on, listening to the whole album. And for the rest of the weekend I had the songs spinning round in my head, especially Blackstar, Lazarus, and I Can't Give Everything Away. And now I'm being told that he's dead? It sounds like a hoax. But then the one line news alerts start to get longer and more detailed and it becomes clear that it isn't a hoax - it's real.
I wrote to my friend John Howlett and said how Bowie had always had impeccable timing - leaving an album for his fans and then dying a couple of days later. In one statement I read, Brian Eno, who had worked with Bowie many times over the years, said: "David's death came as a complete surprise, as did nearly everything else about him." How true.
My friend John replied to my message saying 'You’re the first person who came into my mind when I heard about Bowie.' It's hard to say just how much influence Bowie had on me over the years. I remember being told to listen to Hunky Dory when it first came out in 1971 and loving it. And I can still remember seeing the cover of the Ziggy Stardust album in the shop window of an Edinburgh record shop and thinking this was something totally new and different. I went to the Ziggy Stardust concert in Edinburgh and immediately started writing songs that sounded a bit too much like wannabe Bowie songs.
Another friend asked me today if I'd ever met him. I wish I had. I went to mime classes with Lindsay Kemp and sold tickets for his Turquoise Pantomime on the High Street in Edinburgh. Bowie had studied mime with him. I was introduced to the songs of Jacques Brel and Kurt Weill and fell in love with them as Bowie had done. I read William S. Burroughs and loved the idea of cutting up and re-assembling song lyrics as Bowie often did. And I loved songs that were theatrical. I'm sure we would've found something to talk about.
Bowie also appeared on the pages of iT's for Teachers magazine in various classroom activities and on the cover of one of the final issues coinciding with the 2013 exhibition David Bowie Is at the V&A in London.
Tony Visconti, Bowie's longtime producer wrote today: "He always did what he wanted to do. And he wanted to do it his way and he wanted to do it the best way. His death was not different from his life — a work of Art. He made Blackstar for us, his parting gift."
When a singer dies we usually have old songs going round in our heads. There aren't many artists who can fill your head with new songs just hours before they pass away.